Mimesis II 2008

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

Mimesis II / Lookbook

© Rogério Martins

The collection integrated materials like silver and latex in the 100% wool thick dresses and overcoats.Victorian references were applied in shapes and volumes, like the exaggerated front gatherings that enhance the chest and eventually an addition of padding in order to create exaggerated volumes in the front. In parallel, the jackets had 17th century details used in a contemporary approach, both regarding the fronts and button localisation.

To the colour palette it was given a tea treatment in order to translate the idea of the passage of time trough a set of yellowish shades in the pale coloured jackets and overcoats.Shades of a very dark grey gave a serious and almost severe atmosphere to the collection.

Credits Conception and design: Lara Torres; Collaboration: Catarina Dias, Mário Nascimento; Hair: Griffehairstyle; Make-up: Sónia Pessoa; Assistance: Sharon Olson; Jewellery Design: Catarina Dias and Lara Torres; Photos: Rogério Martins.